[img src="https://catf.me/photos/02e7483ab7a544ec6a1681e934c5fd08.jpg" width="1080" height="1086"] The successful completion of a new world headquarters for Campus Crusade for Christ, overseen by SCA Founder Jay Berlinsky, drew the attention of Wycliffe Bible Translators.

[link url="http://sc-advisors.com/"]

SC Advisors has been retained by Dr. Phillips Charities (DPC) to help create future development strategies. One of Central Florida’s largest landowners and most generous benefactors, DPC hopes to increase returns from their holdings. Strong income production is a high priority since it is the source of funds for DPC’s charitable initiatives. SCA will help determine the properties with the best potential for further development as well as the products that would work best on those properties. “Since all profits from Dr. Phillips’ business activities are used for philanthropic purposes, SC Advisors is privileged to support a 100-year tradition of stewardship, community leadership, and service to the Central Florida community,” said Jay Berlinsky, founder and owner of SC Advisors. [quote url="http://sc-advisors.com/news/" host="sc-advisors.com" title="News - SC Advisors - Orlando Real Estate Advisory News" description="" type="article" thumbnail="undefined" k="undefined"]

[img src="https://catf.me/photos/7ae57ddd1e635d862f4ca4c4dec5030b.jpg" width="1080" height="952"] We at SC Advisors value quality over quantity and choose to work on substantive projects with a limited number of public and private clients. The SC in our name stands for Shingle Creek, the banks of which were home to Founder Jay Berlinsky's ancestors. The hard work, integrity and desire to build a community exhibited by those pioneers are among the core values that drive our company today.

[link url="http://sc-advisors.com/"]

[img src="https://catf.me/photos/3254b39c0d0faf2388db184027166a93.jpg" width="1080" height="1080"] Jay Berlinsky is the founder and owner of SC Advisors, with over thirty years of real estate development experience.

[link url="http://www.sc-advisors.com/"]

Cuir gris foncé couvre la majorité de la partie supérieure avec broderie en vedette sur la cheville ainsi que sur la au milieu de la chaussure et de l'embout. Si rien d'autre, Adidas sait la synergie. le verrouillé sentent et la réactivité est améliorée grace à la combinaison de pleine longueur et un poids léger phylite midsole. Il a été généralement que d'une seule couleur pour l'unité supérieure, d'une seule couleur pour l'unité inférieure et un petit accent couleur partout. Noir sur la semelle intercalaire et détaillant doublure intérieure de clôturer le regard sur ce loup adidas berlin gris colorway. americana adidas viendra en glissière tubulaire soit un blanc ou une apparence de tons gris motif tonale.

Continuez à lire après le saut pour vérifier votre premier regard sur cette paire de super star en solde w. Dans le même temps, faites défiler vers le bas pour voir des images détaillées de la chaussure et de nous dire ce que vous think. Nous pouvons nous attendre à la même qualité et construire pour cette paire de marché noir que nous avons vu sur la version tout de blanc à partir de 2014. Ces Adidas sont disponibles dès maintenant au sneaker politique pour adidas jacket 75 $ alors rendez-dessus et de saisir eux aujourd'hui. Il avait beaucoup de gens qui songent à adidas racer low Dunks que beaucoup considèrent Grails. Est-ce sneaker un must-have pour vous ou pensez-vous que la Jordanie n'est pas venu de marque assez forte avec le colorway.

Le fondu jaune totale orange et de citron à travers un de l'autre avec beaucoup d'élégance.Si Adidas et marque Jordan exploité de la même façon. Si vous ne l'avez pas vu déjà, nous avons pu mettre la main sur une paire de adidas 700 zx quelques jours plus tôt et nous avons donné notre. Les variantes de couleurs de noùl de basket-ball chaussures de signature sont une tradition annuelle. Le colorway et matériaux utilisés sur cette glissière tubulaires sont une chose de beauté. Quant à la foamposite, nous nous penchons sur un peu plus tôt tourner autour, comme ce mois-ci.

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[quote url="http://www.gillespetersonworldwide.com/happy-new-year-gilles-p-looking-back-on-2011/" host="www.gillespetersonworldwide.com" title="Happy New Year // Gilles P looking back on 2011 | Gilles Peterson" description="" type="article" thumbnail="http://brownswoodrecordings.s3.amazonaws.com/wp-content/uploads/new-years-eve-e1325427911745.jpg" k="05c69be1d3"] Not sure if it’s new or old but I just watched this LENNONYC doc on the plane. Really good – Yoko is amazing throughout – a really good insight to a remarkable artist.

So here we are again, as the clock ticks on and a new year kicks in… 2012 should be amazing for us east Londoners as the Olympics are coming! It’s gonna be big – I’m not leaving Hackney in August. I wanna take it all in… even if I never managed to get tickets… and Lord did I try!
I’m playing in Jakarta for NYE – I played here 2 years ago and loved it – and the thought of a few days in the sun was too good to miss, especially after the madness of the last month.

I’m going to announce the shortlist for the Worldwide Awards on Tuesday… by the way, in case you didn’t know – the shortlist is chosen by a panel of ‘esteemed’ music fans who happen to know each other through the Browns wood Forum. We had our annual meeting just before Christmas and spent a few hours discussing the year in music… so it’s not entirely my list, but a well discussed ‘Mercury Prize’ style breakdown. All roads lead to the awards on 21st Jan at Koko – be quick if you want tickets as it’s gonna be sold out within the next few days I’m sure.
2011 has been unforgettable for me. Firstly, and most importantly from a personal point of view, I completed a marathon. Yes I know – completely boring to anyone who doesn’t run, but to me a landmark moment completing in 4 hours 44… and I have to say going past Big Ben in the final straight is up there with the greatest moments of my life (next to drinking Romanee Conti 1961 and the birth of my kids!!). Next stop Tokyo marathon Feb 26 (oh shiiiiit!)

Obviously, I fell back into my DJ being, but at least I managed to do something that got me into shape and also attracted interest to the Steve Reid Foundation which was set up to aid musicians and celebrate the spirit and work of a great master. The Foundation will continue to work alongside the Musicians Benevolent Fund this year. We released a tribute record put together by Nick Woodmansey and his group Emanative – it’s gone down really well – and many thanks also to Kieren Hebden for a great edit and heavy sponsorship of my run!
I want to thank Ayian as well, who has been working closely on how to develop the Foundation – we’re going to broadcast a ‘drumathon’ when the new “Brownswood studio” is completed around April time… watch this space.

Talking of Brownswood, as you may know I moved out of the building in April for a much needed renovation – it was meant to take 4 months but as with most projects like this, its taken 3 times that long! It’s also meant that I’ve been working from boxes this year and haven’t been able to record radio shows and interviews in the same homely comfort as before – so you can imagine how happy I’ll be when the place is ready for a whole new lift off – cannot wait.

This year kicked off with the release of the latest book that I’ve worked on with Stuart Baker from Soul Jazz: Bossa Nova and the rise of Brazilian Music in the 60′s – if you don’t have one already, where have you been! You can get it HERE. We’re currently working on something Latin, taking in Cuba and everything Nuyorican – hopefully something will come out this year. These books are such fun to do and help me reacquaint myself with my record collection.

Cuba has been another regular destination of mine these last couple of years – so it was great to get another chance to develop my relationship with that country and its musicians. For the second volume of the Havana Cultura series which came out in the Autumn I went over with Vince Vella, Simbad and Mala to add some different spices – January recordings with Roberto Fonseca allowed me some time to work on arrangements and go back in April to complete. Mala even played a DMZ set on a night off and true Dubstep (not Skrillex!!) landed in Havana – memorable! Mala’s version of Havana Cultura will come out in the spring – it’ll blow your head off!

We toured the project this autumn too – great shows in Berlin and Istanbul amongst others – and big thanks to the whole band for making it such a laugh – with Fonseca unavailable for the live shows I was a bit worried, but thankfully Roberto Carcasses did his thing and the project took on a whole new vibe. By the way Roberto Fonseca recorded a new album in Paris (which I partly co-produced) and it sounds amazing – great collabs with Mike Ladd and Fatoumata Diawara amongst others.

Label wise we had a good one at Brownswood – well, good considering hardly anyone buys records anymore! Ghostpoet went from strength to strength and even got nominated for a Mercury and the Owiny Sigoma Band delivered a staggering Kenyan/London mash-up – the most memorable show being in Brussels during the early summer – big up to Lefto for pulling out the stops at lightning speed – and doing a great live session with them for his show on Studio Brussels.

Zara McFarlane released her debut album too – I’m so excited about this young lady. Her early recordings had been passed onto me via Simbad and Bopstar and its been so satisfying to release great vocal jazz – I get the same tingles of excitement as when we released Jose James’ music… watch her grow. In fact I’ll be touring with her around the UK in April (Dingwalls vibes) – and she’s already working on album 2…

The comps did well too – Brownswood Bubblers continues to focus on the more soulful end of electronica and the worldwide family collection from Simbad and Lefto began a series focusing on likeminded DJs to celebrate the left side with great artwork by Grems – next up is Kutmah who’ll be out in March. Alex Stevenson followed up his Electr*c series with a brilliant volume 2 and has been busy A+R’ing the forthcoming Gang Colors album which is sounding special and should be out before Easter too – he’s also started releasing some gems on his Earnest Endeavours label and done some great radio on NTS Live which I have to say has been the most played radio station in my kitchen – big ups to Marshmellow and the irrepressible Thristian (aka the BPM) who’s just gone from strength to strength this year with the Boiler Room sessions… big tings agwaaaan! Thanks also to Fawaz and his great support at the label this year – he too started his own imprint – Push & Run – releasing Pedestrian and Ifan Dafydd 12″s – quality stuff.

I released a comp with Ministry Of Sound called Masterpiece which was great fun to do – the interview about the CD with Ross Allen was one of the most well received podcasts of the year – but nothing touched the David Rodigan show – wow – what a response! He was also immense at the Worldwide Festival this year – as was James Blake in the theatre – possibly my music ‘moment’ of the year being in the encore when he performed a monstrous version with Latin ending of CMYK – still need a copy of that! But the live gig of the weekend had to be The Pyramids who came across like a Sun Ra show with added Blues and consciousness… check the podcast HERE.

The Festival as a whole was a huge success – even though it ended with me cracking a rib whilst running across stage and tripping up over a monitor – don’t ask! All that I can tell you is that landing in Laurent Garnier’s lap unable to breath was surreal… it took 3 months before I could sleep normally again. The festival next year will go for a whole week (July 3 til 10) – so be prepared – line-up should be announced soon and yes, we’ll be doing more club nights in the outdoor theatre too – Mala vs Rodigan vs Channel One is more or less confirmed and me vs Moodyman looks like it could happen too.

I really enjoyed gigging this year – did less festivals and more all night long sessions. One of the best events was in Tokyo at the Liquid Room for the annual Worldwide Showcase. The event, organised by Mari Kimura (my Japanese angel!) and the folks at Jwave/Shalala has become one of the highlights of the year. This year was themed around the birthday of John Coltrane and made extra sense following the horrific disaster that struck Japan this year – Masa Sextet, Soil&Pimp Sessions (joined by Robert Glasper on one song) and an incredible tap show from Kazu Kamagai were all unreal and so good to have 1000 people letting off to some spiritual jazz – only in Japan!

Difficult to do lists but super memorable nights included The Mod Club – Toronto / The Block – Tel Aviv / Hot Flush party – Berlin / Air – Tokyo / Lift – LA / Bateau Concorde Atlantique – Paris / Strictly Niceness – Brussels/ Dingwalls – London and as always Rootdown in Freiburg…
You know, the thing about what I do that I love the most still – is playing out – basically I started as a DJ and will end as a DJ!
Thanks to everyone who comes out, dances hard and fills the room with deep positive knowing energy – I love you!

Save-the-DJ record of the year this year was probably the Adele/Jamie xx remix – with strong support from tracks by Julio Bashmore, Lovebirds feat Stee Downwes and anything in Rainer Truby’s box. Jazz wise Austin Peralta, Matthew Hallsall, Greg Foat Group, Bad Bad Not Good, Finn Peters, Richard Spaven, Tigran Hamasyan, Robert Mitchell all delivered.

Tropical wise – Owiny Sigoma Band, DRC Music, Fatoumata Diawara, Bjork and Omar Souleyman, Lucas Santana, Fresh Touch, Mo Kolours, Seun Kuti… too many comps to mention but constant respect to Sofrito, Analog Africa, Soundway, Honest Jon’s and Strut and the brilliant album ‘Oi! A Musica Nova Brasileira on Mais Um Discos’…

Bands and stuff – The Stepkids, The Park, Michael Kiwanuka, The Weeknd, Liz Green, King, Obenewa, Nick Mulvey, Frank Ocean, Tanya Auclair, 2morrow’s Victory…

Maida Vale Sessions one off tracks – Raphael Saadiq ‘The Answer’, Nicolas Jaar’s ‘Ishmael’ should both be released commercially!
So many great albums – Little Dragon, Sbtrkt, Thundercat, Hype Williams, Machinedrum, Shlohmo, Dimlite, James Blake, Africa Hitek, Locussolus, Grey Reverend…

Producers – Addison Groove, Marlow, EVM, Ifan Dafydd, DJ Rum, Gerry Reid, Koreless, Mr Raoul K, Tall Black Guy, Objekt, Stubborn Heart, fLako, Blawan, Onra… the list goes on and on…

I spent many hours in record shops even if there aren’t as many as there used to be – Sounds of the Universe, Kristina, Cosmos, Disc Union, Phonica, SuperFly… please keep doing it guys!

Big up the dealers – here I keep the names to myself as it’s secret information – but you know how you are…

Radio show of the year has to be Loefah on Rinse FM – he does it good and proper – funny with great music – proper Northern vibes too -big up DJ Parrot the original Sheffield soldier – only in the UK! Ross Allen always delivers, Nihal does amazing stuff every week (gonna miss our record swap mate) and Peter Allen on 5live (the master!!)

Download of the year – I still need my weekly fix – has to be Kermode and Mayo’s film reviews – they remain the best double act on radio. Coming in second and rising: Football weekly from The Guardian – yes James Richardson – always on point – and Barry Glendenning an essential bounce off man… Football brain of the year has to go to Philippe Auclair from France football – the man is KNOWLEDGE… and probably enjoys late night chats with Arsene Wenger! Sky pundit has to go to Gary Neville who I used to hate with a vengeance but now can’t get enough of – a bit like spinach…BBC pundit – Lee Dixon – a better pundit than he was a footballer…(and he wasn’t at all bad!)

Music blogs:
Paul Bradshaw’s ‘Ancient to Future’ is essential for all those of you who still miss Straight No Chaser.

Pitchfork – always a good read – first with the Sam Rivers news…

Films of the year – thought it was quite a disappointing year actually – maybe I didn’t see enough films – Melancholia caught me off guard and ‘Drive’ had a killer cast but the best film I saw by miles was ‘Shame’ – the new one from Steve McQueen who did Hunger – I saw it at the BFI London Film festival and, if only for Carey Mulligan’s performance of ‘New York New York’ I can’t believe there’ll a better film to see in 2012…
I’m out of time. Need to get my set ready for tonight at Loewy in Jakarta… what to play at midnight??? The annual dilemma!
To end with thanks so much for all your support on the news of my leaving Radio 1. It was quite breathtaking to see so much reaction to the radio show.

Happy New Year!!

GP
P.S. Thanks to all the team at Brownswood for their ongoing drive and hard work in the search for the perfect beat… Simon Goffe, Mita (and Emily), Alex, Fawaz, Ollie, Arthur and Peggy. Thanks to Toshio Matsura in Tokyo and Maurice Bernstein in New York. All the radio stations that continually host the worldwide radio show. Love to Remy KK in Paris. Thanks to Simbad and Lefto and all the diggers who help me week in week out sourcing the new music. Big Up to Earl Zinger who got me through the marathon and coffee maintenance. Cheers to my Radio 1 and Jwave producers Alex Kenning, Dave O’Donnell, Lucy Madge, Tom Green and Charis Blyth… and thanks to Francois Renie at Havana Club for his cigar smoke!

BADBADNOTGOOD // BOILER ROOM

We’re pleased to announce that BADBADNOTGOOD will be joining us for another instalment of live Boiler Room X Brownswood Basement Sessions. A firm Brownswood and Gilles Peterson favourite – the jazz trio from Toronto, Ontario are on tour around the EU to promote the release of their new album III.
Sure to be a good one.. Don’t sleep! 
#brownswoodbasement

#改装酷赏#【oakley-design改装法拉利F12berlinetta】这就是传说中的T字！ [link url="http://e.weibo.com/2818788220/zaCZKuWor?ref=http%3A%2F%2Fxiaoniao.me%2Ftiming%2Ftweet"]   --上海康周汽车改装 [img src="http://ww1.sinaimg.cn/bmiddle/a8034b7cjw1e007vke4xkj.jpg" width="419" height="804"]

#改车共赏#【石墨灰 F12berlinetta By Cam Shaft】整车改色贴膜费用2900欧元，门板内侧等边边角角需再加700欧元。[link url="http://e.weibo.com/2818788220/z9Rfw02l1?ref=http%3A%2F%2Fxiaoniao.me%2Ftiming%2Ftweet"] [img src="http://ww3.sinaimg.cn/bmiddle/a8034b7cjw1dzud38iomzj.jpg" width="430" height="1939"]

#改车酷赏#【Oakley Design (英国)改☠ 法拉利 F12berlinetta】改装仅限于外观，动力部分不变。搭载一台6.3升V12自然吸气发动机，最大功率740马力，峰值扭矩690牛米。喜欢就请关注@康周汽车改装 [link url="http://weibo.com/2818788220/z8sZN518d"] [img src="http://ww3.sinaimg.cn/bmiddle/a8034b7cjw1dzjsasoqdcj.jpg" width="430" height="828"]

【小改怡情！Novitec Rosso 动刀 法拉利 F12 Berlinetta】Novitec Rosso公司推出了F12 Berlinetta性能改装版，改装后F12 Berlinetta在性能有了一定的提升。车声颜色改为更绚丽的亮黄色，提供了一套21寸的前轮和22寸的后轮，配合着前255/30 ZR 21和335/25 ZR 22的倍耐力高性能轮胎。[link url="http://weibo.com/2818788220/z7JDJ4uu2"] [img src="http://ww4.sinaimg.cn/bmiddle/a8034b7cjw1dze82b1xcaj.jpg" width="430" height="2818"]

Hey there. It's Shay Buttah once again. And as i sit in the lobby of MCC, fresh outta Humanities class and drowsy from another sleepless night, I wonder why i can't seem to get you off of my mind no matter how hard i try. The sweet smell of your skin has burned itself into that permament place in my brain and I swear it's my favorite smell now. I could listen to those magical fingers of yours play guitar for hours and never get tired of it. You could sing the alphabet and I would sit there and listen. lol Whatever it is that you're doing to me....STOP IT! lol It drives me nuts. And, just in case all of you out there in Catfan world are wondering who the hell Im talkin about, I am actually talking about a girl. A very beautiful, funny, and tempting girl. This story starts in a land named Roseville. On a bus packed full of people there is a Fall Out Boy song playing in my ears and an empty seat next to me that is begging to be occupied. And who happens to occupy that seat but the stunning and unique Jenny. I didn't even know that she had taken the seat next to me until she tapped me lightly on my shoulder, and motioned for me to take out one of my earbuds. When i looked up and noticed those pretty blue eyes I had decided that she was the most exotic thing I'd ever seen. Then, in this really cute lil voice, she screamed into my ear, "I love FOB! Nobody shows them any love but, dammit, they soooo deserve it." I stared, blankly at her. Part of me wanting to get up and hug her and the other part of me not knowing what the hell to do at all. So i did the only normal thing that i could think of and said, "Yeah...they are freakin amazing." She nodded, smiled brightly at me, and said, "Just in case you are wondering who the hell i am, My name is Jenny. Jenny Hollaway. But, please, call me Holly." I stretched my hand towards her, beckoning for her to shake it, and said, "And just in case you're wondering who the hell this crazy chick sitting next to you is, My name is Shai. But, honestly, you could call me Asshole and I'm pretty sure I'd still answer to it." She giggled at that one. A tinkly, contagious laugh. The kind that made your day and stayed stashed in your memory bank. She playfully smacked my hand away and said, "Well, Shai, I dnt shake hands. But I do give kisses." Then, she gently put her hand under my chin, turned my cheek towards her, and kissed it lightly. It was the first time that I had blushed in so long that It made me nervous. I know that I must've looked ridiculous but I couldnt help it. She just had a way of making you lost for words. Making you wish you had clever things to say to her just so you could hear her laugh again. I was lost in the moment completely. She was staring at me like I was the most interesting thing she had ever seen. I was looking at her like she was the only girl on that bus. Then, just as fast as the moment began, it ended. She tore her gaze away from me, rang the buzzer, and looked kinda disappointed when she said, "This is my stop." I panicked. I couldnt let her get away that easily. She was getting up and walking towards the exit. So i screamed, "Wait! How will i get in touch with you?" She quickly snatched my Blackberry outta my hand, punched a few keys on it in lightening speed, and tossed it bak into my hands in a timely fashion. "Call me sometime!", she screamed as she got off of the bus and, just like that, she was gone. That same night, I sat with that Blackberry in my hand for what seemed like days just staring at her number in my contacts. How the hell did she type that in so fast? And was she real or was I just imagining shit? lol And, with my thumb hovering over that lil Green Send button, the phone sprang to life in the palm of my hand. Out of pure frustration, I pressed send without even looking at the screen, and said," Who is it?" in the most irritating voice I could muster. "Is that the way you always answer your phone or did you save that special lil salutation for me?", a very familiar voice said into my ear. The next thing I thought was, "How the fuck did she get my number?!" This girl was pure magic. "Hellooooo...Are you there, Shai? I hope I don't have the wrong number because that would just be awful. Awful and embarrasing." I laughed dispite the fact that I was still in complete shock and said, "I'm here, Jenny. It's good to hear from you but it's weird that you're calling me. I thought I was supposed to be calling you..." I never asked how she had gotten my number and I didn't really care either. She called because I mattered...and that's all that really mattered to me at the moment, anyway. "Well, I was waiting on you to call but you took too damn long so I took matters into my own hands.", She said sarcastically. And the conversation went on just like that. It was natural and there wasn't one awkward moment at all. And we had talked like this for days on end. It had gotten to the point where I would be expecting her call and she had once confessed to me that she was doing the same thing. She would sit by the phone and wait for me to call her after she had gotten off of work just like I would sit next to the phone and wait for her to call me after I had gotten out of school. We were depending on eachother. And that's huge for two people who put up walls bigger than the Berlin just to keep people out. She was keeping me sane while I was going through a bad breakup with my Boyfriend and I was keeping her content while she was dealing with her uptight parents who didnt accept her lifestyle. We had never even given eachother any title because we didn't wanna complicate things. She wasnt my girlfriend and I wasnt hers. We were just two women who were helping one another. That is, until we went on our first date. Then we were two women who were REALLY fond of one another. And our relationship had become more for me than i had ever expected it to be. I had never wanted her to know that because she was older than me and I didnt want her to think that I was childish for feeling what I felt for her. But, she had became a huge part of my life. It was like she understood me and that's not easy to do. She knew that music was my life without even asking me what my interests were. She would sing for me just because she knew that I would join in and sing with her. She would buy me White lillies on rainy days because she knew that I liked how they looked when they had just been rained on. She could play instruments that I hadn't even thought about learning how to play. And she would cuddle up with me and watch old black and white movies like they were the most interesting movies in the world. She would make me ice crem sundaes with lots of chocolate sauce, just the way I like them, and she could make the best cup of coffee I had ever tasted. She was unlike any girl that i had ever met. She was my JayJay and there was nobody else like her...and then we went our seperate ways. I got back with my boyfriend and She moved in with her Grandparents for a while. And the rest is History. Well, it used to be history. Until something happened to alter history all together. That's what is truly so crazy about history. When something ends, and you finally think that part of your life is over, it does something that you never thought it could do. Your past comes back to haunt you. And, like a great man once said, History has a way of repeating itself. And i guess this was what it felt like to have ur past come back to haunt you. She called my phone in that perfect lil voice of hers and made my heart beat all fast and jumpy and shit. And, honestly, it's just irritating that she still has that effect on me. I told you that she was pure magic.Anyway, I was kinda in a funky mood the day she called. I was supposed to be with my boyfriend but instead I was babysitting my badass, but adorable, little niece. I was watching the Backyardigans for the 500th time when the phone rang. "What!?!", I had screeched into the phone. "Do you really have to answer the phone like that everytime I call?", a familair voice said in my ear. "Jenny...is that you?", I had practically whispered into the phone. I wanted to say something clever. I wanted to say something to make her laugh. I'd give anything to here her laugh again but my brain wasn't letting me do it. It was in shock. No, I was in shock. "Jenny? Who the hell is Jenny? I distinctly remember you calling me JayJay. But never Jenny. Maybe I have the wrong number or something.", She said with the perfect hint of sarcasm in her voice. She still sounded exactly the same too. I should've been wondering how the hell she had gotten the number to my brother's house. But I wasn't the slightest bit worried about that. I just wanted to know why she had called and why she was trying to squeeze herself back into my life. She said that she had called because she was permanently living in Michigan again.That she had brought a new little house and she was wondering if I wanted to see it...and maybe go out to dinner and catch up. I still havent given her an answer yet. So, here's the question, Catfan Community. Knowing what you know about her, and knowing that I have a boyfriend whom I love dearly, do you think should I go out with JayJay again and catch up? Why or why not would also be great too. lol I'm desperate for your opinions because I need to make up my mind asap. So, after you read this blog, comment and tell me what you think. xoxo, Shay. =]

[Orff: Carmina Burana - Fortuna Imperatrix Mundi: O Fortuna - Orff: Carmina Burana - Eugen Jochum: Chor und Orchester der Deutschen Oper Berlin, Scho] [img src="http://catf.me/photos/ea3fe756fbe46b5e6fb6686538cf2be3.jpg" width="634" height="638"] [audio src="http://mu6.me/file/4609"] 卡尔·奥尔夫：布兰诗歌 Karl Orff: Carmina Burana 尤金·约胡姆：柏林交响乐团与合唱团 女高音：贡杜拉·雅诺维茨；男中音：费舍尔-迪斯考 Eugen Jochum: Chor und Orchester der Deutschen Oper Berlin Gundula Janowitz; Fischer-Dieskau 作品早在11-12世纪就已经出现，大约有240首诗词歌赋，多数为情歌、祝酒歌、宗教歌剧 德国现代作曲家奥尔夫用了现代管弦乐技法，让音乐既有现代的大交响乐风格，又在某些地方保持了中古音乐的苍凉和神秘的味道。可以说算是一部跨时代的作品，但本质上来说应该算作现代音乐 尽管现代音乐失去了很多的听众，不过这部作品是个相当成功的范例 奥尔夫选了其中的24首谱曲，即是今天经常听到的版本 共分三节： Primo vere, Uf dem Anger（春之苏醒，爱） In taberna（热闹的狂欢） Cour d'amour und Blanziflor et Helena（两个年轻人的靠近，爱神维纳斯) 按照计划，这部作品由合唱团演唱，表达对于掌管人类命运的命运女神（Fortuna）的敬意 选曲试听为最脍炙人口的第一曲（亦是最后一曲，其实有比较明显的不同，第一曲开头是用键盘乐器的和谐奏出，最后一曲则是则以铜锣起） 关于版本： 尤金·约胡姆的版本被认为是该曲的典范演绎 约胡姆以指挥奥地利晚期浪漫主义作曲家布鲁克纳的交响曲见长 并以此形成了他的庄严和有秩序感的行进风格 除了指挥，独唱的阵容亦十分强大，雅诺维茨和迪斯考 分别是女高音和男中音首屈一指的人物 雅诺维茨的声音悠扬而婉转，迪斯考则极尽展现其嗓音神秘的一面